I hate blog posts that start with excuses for why I haven’t been in the studio or haven’t blogged. It either sounds like I can’t manage my time very well (true dat) or have vastly more Important Things To Do. To prove that isn’t so, here’s a sampling of my activities for yesterday that prevented me from getting out to the studio:
- I slept late every day for the last MONTH and it felt great. I may never get up early again.
- I visited an art resale gallery in Portland that has some of Bonnie Bronson’s (my mother) art for resale. This place is chock full of great Oregon art gems and the owner is very nice. There is so much work on the walls that I couldn’t immediately see if she had any encaustic work. Here’s the link: Resale Art.
- Then I went to some friends’ very clean house where someone told a story about a cat litter box that was so funny I peed my pants.
- Then I had to go home and bury my head under a pillow, unable to face the world.
As you can see, no time-wasting there!
The Theory sent me a link to an art blog called Hyperallergic: Sensitive to Art and its Discontents which I at first thought was a blog about asthma. Anyway, this two-part article talks about the origin, composition, risks and other odd tidbits about such vanished pigments as Dragon’s Blood red, Tyrian purple and white lead. Read the updates and comments because those are good too. Here’s sample about Mummy brown:
The pigment, a favored shade of the Pre-Raphaelites, was first made with Egyptian mummies, both cat and human, that were ground up and mixed with white pitch and myrrh. It had a great fleshy color, but due to the actual fleshy components it would crack over time. [Artist] Martin Drölling reportedly used the mummies of French kings dug up from Saint-Denis in Paris. According to a 1964 Time story, the Mummy Brown pigment didn’t last due to a shortage of its name defining ingredient. Managing director of the London based C. Roberson color maker told the magazine: “We might have a few odd limbs lying around somewhere, but not enough to make any more paint.”
And just to prove that we (and by we I mean The Theory) have not been idle, here’s a photo of a lovely seating area that we hacked out of the wilderness and inaugurated with gin and tonic just this weekend: